Posted on Dec-21-2009

Know-the-Facts Review Game: 100 Must-Know Facts in a Q&A Game Format to Help Kids Really Remember Standards-Based Social Studies Information (American History)


This is a great in-class or group activity. It can be broken up into different categories, depending on what is being taught at the time. The cards are readable for both students and teachers. It's set up sort of like Jeopardy or Trivial Pursuit.

Great activity outside of the textbooks.

Know-the-Facts Review Game: 100 Must-Know Facts in a Q&A Game Format to Help Kids Really Remember Standards-Based Social Studies Information (American History)



Average Rating:
Author: Diana Abitz
Brand: Scholastic Teaching Resources
ISBN: 0439374340
Number Of Pages: 48
Languages:
Original Language: English
Unknown: English
Published: English

Product Description:
Reviewing facts can be fun with this kid-pleasing, curriculum-based game. Great for pairs or small groups, this resource includes 100 punch-out questions, a game board, and playing pieces. Questions come in multiple choice, true/false, and single answer formats, and have been carefully selected to help students sharpen their critical thinking skills and build their knowledge about American history. Many questions contain additional information that helps students make connections—and remember important facts.

Features:
  • Classroom supplies
  • Satisfaction Ensured.
  • Low cost.
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Customer Reviews


Would be better if it came with a disk for the questions
I used the questions, but not the game. (PowerPoint Jeopardy) It has great questions that are broad enough that even my special ed students could be successful. For grades 5 and up.

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Posted on Dec-13-2009

Highlights in American History: To 1850


Highlights in American History: To 1850


Author: Grace Kachaturoff
Brand: Frank Schaffer
ISBN: 0867345667
Number Of Pages: 112
Languages:
Original Language: English
Unknown: English
Published: English

Product Description:
Background information on significant themes, events, and individuals enrich what is traditionally included in history textbooks.

Features:
  • ISBN13: 9780867345667
  • Condition: NEW
  • Notes: Brand New from Publisher. No Remainder Mark.
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Posted on Aug-04-2009

Native American Art


Native American Art


Author:
  • David Penney
  • David W. Penney
  • George C. Longfish
ISBN: 0883634791
Number Of Pages: 262
Release Date: 1999-08-24
Languages:
Original Language: English
Unknown: English
Published: English

Product Description:
Native American arts and crafts are enjoying renewed appreciation and increasing recognition as a vital part of America's cultural heritage. In Native American Art, the richness and diversity of this centuries-old tradition is celebrated through nearly 300 color plates and incisive commentary. Tracing the development of American Indian art from 20,000 years ago to the present day, it features exquisite works from every part of North America.

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Posted on Jul-28-2009

American Sculpture in The Metropolitan Museum of Art: Volume I: A Catalogue of Works by Artists Born before 1865 (Metropolitan Museum of Art Series)


American Sculpture in The Metropolitan Museum of Art: Volume I: A Catalogue of Works by Artists Born before 1865 (Metropolitan Museum of Art Series)


ISBN: 0300085176
Number Of Pages: 480
Languages:
Original Language: English
Unknown: English
Published: English

Product Description:
This book, the first of a two-volume set documenting the distinguished and comprehensive collection of American sculpture at The Metropolitan Museum of Art, focuses on late nineteenth-century works. The book includes sculpture by such masters as Hiram Powers, Augustus Saint-Gaudens, and Gaston Lachaise, and it offers premier examples of neoclassical ideal nudes, expressive genre statuettes, studies for monumental sculpture, portraits in a variety of styles and materials, and much more.

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Posted on Jul-28-2009

An American Art Colony: The Art and Artists of Ste. Genevieve, Missouri, 1930-1940


An American Art Colony: The Art and Artists of Ste. Genevieve, Missouri, 1930-1940

Product Description:

 

From the 1930s to the early 1940s, Ste. Genevieve, Missouri was host to one of the most significant art colonies of its time. An American Art Colony is a historical and pictorial journey through the works of these magnificent painters. Their chosen subjects are not of the traditional bucolic landscape; instead they portray the human condition in terms both of political upheaval and of Depression era events. Collectively, the authors present, through a series of biographical essays, an analysis of these painters’ lives, their art, and the world in which they lived. The artists are: Thomas Hart Benton, Sister Cassiana Marie, Fred E. Conway, Joseph James Jones, Miriam McKinnie, Joseph John Paul Meert, Bernard Peters, Jesse Beard Rickly, Aimee Goldstone Schweig, Martyl Schweig, E. Oscar Thalinger, Joseph Paul Vorst, and Matthew E. Ziegler.


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Posted on Jul-27-2009

Arte Latino: Treasures from the Smithsonian American Art Museum (Further treasures from the Smithsonian Museum)


Arte Latino: Treasures from the Smithsonian American Art Museum (Further treasures from the Smithsonian Museum)


This is a fine catalogue in general, but the description of the art of Carlos Alfonso creates a strange impression of this great artist's work. After reading the description you'd think that his paintings give off a sense angst and even powerful agitation. After seeing the great Carlos Alfonso show at the Freedom Tower in Miami during the Art Basel Miami Beach 2006, I can say that the effect is one of sublime beauty and fantastic imagination. That he
uses images like daggers and other imaginary-occult symbols certainly does not mean anything about violence and it seems silly to suggest it does. Alfonso was simply a great artist, who happened to be Cuban, thus the images from Santeria and the like. I suspect what lies behind the misreading of his art as hugely angst-ridden
is a crypto-political point about his status as an Cuban exile. All great artists are alike in taking the accidents of life and making them something more. Crypto-politics almost never have produced great art. Alfonso had a health problem and had suffered from political viscisssitudes of our time, but the angst this might have created are not the source of his art. The Freedom Tower show, as well as the Hirshhorn show in Washignton DC a few years ago make this very clear.

Average Rating:
Author: Jonathan Yorba
Edition: Ex Libris
ISBN: 0823003213
Number Of Pages: 108
Languages:
Original Language: English
Unknown: English
Published: English

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Customer Reviews


Smithsonian teaser
How do you highlight 200 years of Latino art in the United States and Puerto Rico in a book from a world renowned collection? Well you don't do it in a 108 page book from the Smithsonian American Art Museum. Having visited the said museum it is a pity that this small book is an offering they produced to represent the vast collection. The book uses the term "highlights" but it is just not enough. It is like a variety of crackers offered in a fine restaurant; it'll hold you over but not satisfy your hunger. The collected pictures are beautifully presented accompanied by very short analysis of the piece and usually a paragraph about the artist. If you like looking at a few nice pieces than this book will do.This book is like fast food for the art aficionado. Since the represented art is in various media it results in a disjointed but varied whole. Most of the featured artists in the book are contemporary but there is the occasional misplaced unknown colonial artist or noted 19th century santero Felipe de la Espada that just doesn't fit or do justice to the subject. There is a lack of continuity and thematic cohesion with the book. When the book is thread together it is when the art of New Mexico artists are featured , most notably the works of santeros and wood carvers, George Lopez, Gloria Lopez Cordova, Luis Tapia, Horacio Valdez, Jose Benito Ortega, Ramon lopez, George Lopez, Felix Lopez(yes, it a long family line of Lopez santeros) and Patrocino Barela. Again the problem here is that they are placed between other media like oils, acrylics, fiberglass, woven cotten rug, colored pencil, granite and silver prints for a resulting weird representaion. The book has no chapters and unfortunately it could have used them. This book just scratches the surface and falls short. This book is for someone just beginning on their quest for knowledge about Latino art. Possbly from this point you can depart to finding out more about some of these artists but this book is only a starting point. If you are looking for a Latino art appetizer than this book is for you, otherwise look elsewhere to satisfy your appetite.


Contemporary Latinos Productions
This is a great source book of contemporary art productions which includes contemporary Latino artists. The selection of art represented is varied and the text gives readers sufficient background for understanding the works. Very colorful and clear photographs of the works are each full-page sized with a full page of text next to each to help capture the image and short biographies and artistic interpretations of the artists at the turn of each page.

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Posted on Jul-26-2009

The Rockefeller Collection of American Art at the Fine Arts Museums of San Francisco


The Rockefeller Collection of American Art at the Fine Arts Museums of San Francisco

Product Description:
An examination of the American art collection assembled by Mr and Mrs John D. Rockefeller III, during the 1960s and 1970s. It focuses on 140 works donated to the Fine Arts Museum of San Francisco in the years since 1979. The introductory essay examines the context of the Rockefellers' collecting.

Features:
  • ISBN13: 9780810937741
  • Condition: USED - VERY GOOD
  • Notes:
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Posted on Jul-25-2009

American Drawings in the Metropolitan Museum of Art Volume 3: John Singer Sargent


American Drawings in the Metropolitan Museum of Art Volume 3: John Singer Sargent

Product Description:
American Drawings and Watercolors in The Metropolitan Museum of Art: John Singer SargentStephanie L. Herdrich and H. Barbara Weinberg, with an essay by Marjorie ShelleyThis lovely book celebrates the unparalleled collection of works by John Singer Sargent at The Metropolitan Museum of Art. The volume describes The Metropolitan's acquisition of Sargent's works, including the particularly fine collection of his drawings and watercolors, and organizes his work into four sections: childhood and adolescence, student years in Paris and early career, professional accomplishments from 1890 to 1925, and studies made during extensive travels from 1890 to 1925.
Amazon.com Review:
An expatriate American living in England, John Singer Sargent was an immensely gifted artist and the leading international portraitist of his day. He produced his magnificent oil paintings of the social elite after lengthy preparations that included numerous studies and sketches. American Drawings and Watercolors in the Metropolitan Museum of Art: John Singer Sargent presents the Met's collection of four sketchbooks and 337 single sheets by Sargent, from rough to highly finished designs. Many of the watercolors and a handful of the drawings are brilliant, but they are lesser works than the great paintings; this book is an important art-historical study rather than an art book.

Two introductory essays describe the formation of the collection and the artist's techniques. The material is divided into four sections covering Sargent's childhood, early career, professional activity, and travel, each introduced by details of the artist's life. The drawings provide useful contexts for his major paintings. For example, intimate sketches of Madame Gautreau, the sitter for his portrait Madame X, whose scandalously low shoulder strap led to the closing of Sargent's Paris studio, clarify the narrative that precedes the section "Student Years and Early Career, 1874-89." Watercolors from his visit to the frontlines during World War I include naked soldiers bathing; these and other material have led to speculation about Sargent's sexual orientation, which is beginning to attract critical analysis. The complex material is extensively and intelligently footnoted, and a chronology of Sargent's life, exhibitions, and a bibliography round out the book's encyclopedic scholarship. The first of a series documenting the Met's collections of master-drawings, this book is a treasure-trove and an art historian's delight. --John Stevenson


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Posted on Jul-24-2009

American Furniture in The Metropolitan Museum of Art: I. Early Colonial Period: The Seventeenth-Century and William and Mary Styles


American Furniture in The Metropolitan Museum of Art: I. Early Colonial Period: The Seventeenth-Century and William and Mary Styles

Product Description:
The Metropolitan Museum’s preeminent collection of early colonial furniture is expertly documented in this long-awaited publication. It covers the full spectrum of furniture forms made during the 17th and early 18th centuries—from chairs and other seating to tables, boxes, various types of chests and cupboards, and desks.  Each of the 141 objects is thoroughly described with detailed information on provenance, construction, condition, inscriptions, dimensions, and materials.  Photographed anew in color for this volume, each piece is explicated in terms of the styles and craftsmanship of the period and is evaluated in light of comparative pieces in public and private collections throughout the country. One appendix contains photographic details of construction and decorative elements, and another has drawings of joints and moldings.

(20080808)

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Posted on Jul-23-2009

A Force for Change: African American Art and the Julius Rosenwald Fund


A Force for Change: African American Art and the Julius Rosenwald Fund

Product Description:
The Julius Rosenwald Fund has been largely ignored in the literature of both art history and African American studies, despite its unique focus, intensity, and commitment. Spertus Museum in Chicago has organized an exhibition, guest curated by Daniel Schulman, that presents and explores the work of funded artists as well as the history of the Fund. Through it, and this accompanying collection of essays, illustrations, and color plates, we see the Fund's groundbreaking initiative to address issues relating to the unequal treatment of blacks in American life. The book constitutes a veritable who's who of African American artists and intellectuals of the first half of the twentieth century, as well as a roll call of modern contributors who represent the leading scholars in their fields, including Peter M. Ascoli, grandson and biographer of Julius Rosenwald, and Kinshasha Holman Conwill, deputy director of the National Museum of African American Art and Culture. With far-reaching influence even today, the Julius Rosenwald Fund stands alongside the Rockefeller and Carnegie funds as a major force in American cultural history. This book takes an illuminating look at an innovative fund and the opportunities it brought to African American artists.

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