Posted on Jul-28-2009

The Artistic Culture between the Wars 1920-1945: ART of the 20th Century Volume II (Art of the Twentieth Century)


The Artistic Culture between the Wars 1920-1945: ART of the 20th Century Volume II (Art of the Twentieth Century)

Product Description:
This second volume in the Art of the Twentieth Century series analyzes and presents the diverse world of artistic production between the two world wars, beginning with the environment that took shape in the immediate wake of World War I. The Artistic Culture Between the Wars is an interdisciplinary survey of this period’s changing artistic climate that included the re-emergence of a figurative approach (the New Objectivity), and the evolution of an avant-garde that is now historicized by its second-generation artists. Also considered are phenomena such as Surrealism, the change in taste from Art Deco to Novecentismo, and the expression of the totalitarian regimes during the outbreak of World War II. The book’s chronological boundaries stretch from the birth of the Dada in Germany to the birth of Abstract Expressionism (1943-1945).

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Posted on Jul-23-2009

Transformations in Late Eighteenth Century Art

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Posted on Jul-18-2009

European Art of the Fifteenth Century (Art Through the Centuries Series)


European Art of the Fifteenth Century (Art Through the Centuries)


Author: Stefano Zuffi
ISBN: 0892368314
Number Of Pages: 384
Languages:
Unknown: English
Original Language: English
Published: English

Product Description:
Influenced by a revival of interest in Greco-Roman ideals and sponsored by a newly prosperous merchant class, fifteenth-century artists produced works of astonishingly innovative content and technique. The International Gothic style of painting, still popular at the beginning of the century, was giving way to the influence of Early Netherlandish Flemish masters such as Jan van Eyck, who emphasized narrative and the complex use of light for symbolic meaning. Patrons favored paintings in oil and on wooden panels for works ranging from large, hinged altarpieces to small, increasingly lifelike portraits. In the Italian city-states of Florence, Venice, and Mantua, artists and architects alike perfected existing techniques and developed new ones. The painter Masaccio mastered linear perspective; the sculptor Donatello produced anatomically correct but idealized figures such as his bronze nude of David; and the brilliant architect and engineer Brunelleschi integrated Gothic and Renaissance elements to build the self-supporting dome of the Florence Cathedral. This beautifully illustrated guide analyzes the most important people, places, and concepts of this early Renaissance period, whose explosion of creativity was to spread throughout Europe in the sixteenth century.

Features:
  • ISBN13: 9780892368310
  • Condition: New
  • Notes: BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed
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Posted on Jul-16-2009

Japan Envisions the West: 16th-19th Century Japanese Art from Kobe City Museum


Japan Envisions the West: 16th-19th Century Japanese Art from Kobe City Museum


Average Rating:
Edition: First Edition
ISBN: 0295987405
Number Of Pages: 223
Languages:
Unknown: English
Original Language: English
Published: English

Product Description:
This extraordinary book features significant works of art from the Kobe City Museum, whose collection focuses on Western-style Japanese art created between the sixteenth and nineteenth centuries. Japan Envisions the West considers how Japan encountered the West and learned about and adopted their arts, culture, and science, and how the West discovered Japanese arts and culture.

Maps bear important witness in telling the story of how each region recognized and understood the lands of the other. Selected maps mark milestones in illustrating each state of understanding between Japan and the West.

Portuguese and Spanish missionaries and merchants from the late sixteenth to early seventeenth centuries conveyed Western culture, religion, art, food, and music to the Japanese, and they were the first Westerners to have a strong impact in Japan. Namban refers to Japanese art created under the influence of Portugal and Spain.

After Christianity was excluded from Japan in the 1630s, Nagasaki became the only port open for trading with Dutch merchants. Artists in this region, especially painters serving the government, had the opportunity to see foreign people, culture, and art firsthand. They made visual records, copied important objects, and studied these records for their work.

When the Tokugawa Shogunate Yoshimune relaxed restrictions on imported Western books in 1720, with the exception of Christian books, scholarly artists and scientists were free to study them, leading to Komo, Japanese art created under the influence of Holland, and to more popular paintings, prints, and decorative arts that demonstrate the fusion of Japanese and Western styles. At the same time, objects were made specifically for trade with Europe through the East India Companies established in European countries.

Finally, visual images produced in the nineteenth century show the effort, surprise, and curiosity of the Japanese as they tried to understand America and Americans.


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Customer Reviews


Poor reproductions (photos)
I had such hopes for this book. A art book about western influence in japanese art. Wonderful. The problem is that the text is superior to the images. This book is just that. The text is well written (4 stars). The reproductions are small or poor. I buy art books for the pictures; as I suspect most art book buyers do. This book, being a scholarly affair, is more interested in information, not reproductions. The reproductions shown are used to illustrate the text.

There is absolutly no excuse for these types of poorly produced books. The technology to make outstanding art books has improved dramatically in the last ten years. If you are an academic looking to fill your bookcase this is your book. If you are looking at this book for fine reproductions, keep looking.

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Posted on Jul-15-2009

A Century Of African american Art: The Paul R. Jones Collection


A Century of African American Art: The Paul R. Jones Collection


Average Rating:
ISBN: 0813534577
Number Of Pages: 280
Languages:
Unknown: English
Original Language: English
Published: English

Product Description:
"Paul Jones is a passionate collector with a very good eye. He [has] sought out very good examples of excellent artists who have played prominent roles in American art."—Lynda Roscoe Hartigan, Chief Curator, Smithsonian American Art Museum

The Paul R. Jones Collection is one of the oldest, largest, and most comprehensive holdings of African American art in the world. Jones, who was named by Art and Antiques as one of the top one hundred collectors in the United States, began buying paintings, prints, photographs, and sculpture four decades ago and has now amassed over fifteen hundred works, many of them by well-known artists. Among the sixty-six represented in A Century of African American Art are Romare Bearden, Elizabeth Catlett, Jacob Lawrence, Henry Ossawa Tanner, James VanDerZee, Carrie Mae Weems, and Hale Woodruff.

Lavishly illustrated with over one hundred color photographs, this book provides an important resource for the study of the works included in the Jones collection, the artists who created them, as well as the social and historical contexts that engendered them. The volume brings together ten essays, which examine four issues in American art: portraiture and realism in relation to abstract expressionism, the implications of color, the role of narrative, and the concept of multiple originals. Each essay makes the intentional effort to de-race African American art—not to strip the work of its idiomatic cultural footing, but rather to situate it within the larger picture of the nation’s history and cultural traditions.

Reflecting the diversity of the collection itself, the contributors come from wide-ranging fields including American art, African American art, African art, art conservation, color theory, photography, and sociology. Together, the eclectic selections make a major contribution to recontextualizing African American scholarship in the broadest sense, while also providing important insights into the Jones collection.

Contributors are Marcia R. Cohen, Diana McClintock, Ann Eden Gibson, Winston Kennedy, Debra Hess Norris, Ikem Stanley Okoye, Sharon Pruitt, Carla Williams, and Margaret Andersen.


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Customer Reviews


A Magnificent Collection - A Magnificent Book
Paul R. Jones differs from the typical collector of world-class art in too many ways to enumerate. For one thing, he is not independently wealthy nor did he inherit a fortune - no, this son of a miner grew up in a work camp, and for most of his life, his "day job" has been public service. But he has brought to his collection - and therefore, to us - a personal passion, curiosity and creativity unsurpassed by the likes of Guggenheim or Getty.

The "dean of African American collectors," Jones avoided trend buying and operated outside the more traditional acquisition modes. He occasionally purchased work he "did not understand by artists he did not know" because, in his words, "something in it drew me in...and I trusted it to take me somewhere..." Buying from (at the time) relative unknowns, his purchase often paid the month's rent or put food on the table.

The result of this 40 year commitment to African American artists is a magnificent panorama encompassing 1500 works by the likes of Romare Bearden, Elizabeth Catlett, Lois Mailou Jones, Betye Saar and more than 60 others. This astounding collection has been donated to the University of Delaware's University Museum, and this book helps celebrate the first major exhibition of works drawn from it.

The book presents gorgeous reproductions of more than 100 works by 66 artists, with biographical information about them and also about Jones. But it's not a mere exhibition catalog; it also presents ten thought-provoking essays which intentionally strive to "de-race" African American art, placing it within the larger picture of the nation's history and cultural traditions. For example, Ikem Stanley Okoye's essay "Reign(ing) in Color: Toward a Wilder History of American Art" explores how the systematic use of color serves purposes other than surface appearance.

A magnificent book to celebrate a magnificent collection.

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Posted on Jul-12-2009

The Art of Describing: Dutch Art in the Seventeenth Century


The Art of Describing: Dutch Art in the Seventeenth Century


An analysis of the 17th century Dutch preoccupation with vision, the discovery and use of the microscope, lenses, optical devises, the study of the retina and how we see, new ideas of perspective and a discussion of the work of noted scholars of the day, as Keppler and Huygens. A fascinating discussion of Vermeer painting exactly what he saw while Rembrandt painting "the invisible human depths." A very fine study designed to help us think and see.

Average Rating:
Author: Svetlana Alpers
ISBN: 0226015130
Number Of Pages: 302
Languages:
Published: English

Product Description:
"The art historian after Erwin Panofsky and Ernst Gombrich is not only participating in an activity of great intellectual excitement; he is raising and exploring issues which lie very much at the centre of psychology, of the sciences and of history itself. Svetlana Alpers's study of 17th-century Dutch painting is a splendid example of this excitement and of the centrality of art history among current disciples. Professor Alpers puts forward a vividly argued thesis. There is, she says, a truly fundamental dichotomy between the art of the Italian Renaissance and that of the Dutch masters. . . . Italian art is the primary expression of a 'textual culture,' this is to say of a culture which seeks emblematic, allegorical or philosophical meanings in a serious painting. Alberti, Vasari and the many other theoreticians of the Italian Renaissance teach us to 'read' a painting, and to read it in depth so as to elicit and construe its several levels of signification. The world of Dutch art, by the contrast, arises from and enacts a truly 'visual culture.' It serves and energises a system of values in which meaning is not 'read' but 'seen,' in which new knowledge is visually recorded."—George Steiner, Sunday Times

"There is no doubt that thanks to Alpers's highly original book the study of the Dutch masters of the seventeenth century will be thoroughly reformed and rejuvenated. . . . She herself has the verve, the knowledge, and the sensitivity to make us see familiar sights in a new light."—E. H. Gombrich, New York Review of Books


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Customer Reviews


Approachable book to a dry subject (in my opinion)
I thought that Alpers did a good job of explaining the motivation behind 17th century dutch art without being too boring. I'm more of a modernist, so this period tends not to fascinate me.

-Matt


a piece of creative scholarship
While not for those looking for a coffee table book (or a list of catalogue entries with glossy photos), this work remains interesting and creative. Alpers is one of those scholars interested in the "period eye," studying epistimological habits and visual strategies in 17th C. Netherlands. She covers issues thematically, with chapters dedicated to issues surrounding cartography, optical devices, etc. A nice work.


brilliant ground-breaking book already a classic
Alpers' brilliant 1984 study teaches us how Dutch artists of the seventeenth century "saw" in contrast with with their Italian counterparts. Already one of the most frequently cited books on Dutch art, this ground-breaking work should be read by anyone with an interest in visual representation.

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Posted on Jul-11-2009

European Art of the Sixteenth Century (Art Through the Centuries Series)


European Art of the Sixteenth Century (Art Through the Centuries)

Product Description:
In the sixteenth century the humanist values and admiration for classical antiquity that marked the early Renaissance spread from Italy throughout the rest of the continent, resulting in the development of a number of local artistic styles in other countries. Artists were highly valued and richly compensated during this period, with many receiving lucrative commissions from papal, royal, and private patrons. Among the sixty artists whose works are presented in this volume are towering figures of Western art such as Michelangelo, Raphael, El Greco, and Titian.
Venetian painters led the way, as oil on canvas supplanted fresco as the most popular medium. Italian Mannerists, such as Pontormo, deviated from classical forms, creating figures with elongated proportions and exaggerated poses. In countries that experienced the Protestant Reformation, such as England, many artists turned to portraiture and other secular subjects.
This second volume in the Art through the Centuries series is divided into three sections that discuss the important people, concepts, and artistic centers of this innovative period. Important facts are summarized in the margins of each entry, and key facets of the illustrations are identified and discussed.

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Posted on Jul-05-2009

Seventeenth Century Art and Architecture (2nd Edition)


Seventeenth Century Art and Architecture (2nd Edition)


Where can the interested reader find so much in one book about the great seventeenth century masters of art such as Caravaggio, The Carracci, Bernini, Rubens, Rembrandt, van Dyck, Velazquez, Hals, Vermeer, Poussin and Claude? The answer is in the recently published text "Seventeenth Century Art and Architecture" by Professor Ann Sutherland Harris.

In this wonderfully written and very well illustrated book - there are 411 illustrations of which 176 are in excellent color - Professor Harris glides through the seventeenth century with the grace and ease of a ballerina, covering the Baroque period from its inception in Catholic Italy to its final days in the Golden Age of the Dutch Republic. Major artists and a number of less well know artists are covered succinctly, lucidly, and without pedantry or reference to obscure scholarly works. The author is so well-versed in the subject matter that she is able to convey it clearly to the general reader with almost every painting described and discussed in detail.

Orginally conceived as a college text, this book is a must read for anyone interested in the art, lives of the artists, politics, and history of the most important century in European art and culture. Although the title gives equal weight to art and architecture, much more of the art of the period is discussed than architecture, yet the reader is given a full taste of the architecture of the period as well.

This is a book that one will want to read and re-read time and time again.



Average Rating:
Author: Ann Sutherland Harris
Edition: 2
ISBN: 0136033725
Number Of Pages: 456
Languages:
Unknown: English
Original Language: English
Published: English

Product Description:
Written by a leading scholar, Seventeenth Century Art: Architecture, 2/e is the only text on the market that introduces students to the three major art forms-painting, sculpture and architecture, across six countries.  The text engagingly and effectively combines analytical discussions with an expansive collection of vivid, illuminating illustrations that teach students the major developments of art, painting, and architecture that emerged from seventeenth-century Western Europe, as well as the socio-political and cultural background of the period.

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Customer Reviews


Incredible
Quick delivery and in the condition that was promised. Very satisfied. The book focuses on Western Baroque painting with some architecture and sculpture history. A great book, with lots of beautiful images.


Seventeeth-Century Art & Architecture
The book looked alright it did not have any folded edges just the front cover had a crease in it. It arrived faster than I thought it would come. All in all not bad. The book looked good even with the crease.


Falling Apart
I have read this book, not for enjoyment, but for a course in Baroque art. Therefore I cannot say it was enjoyable. It is a good book if you are looking to see many works. The pictures are fairly good, although I HATE a book that depicts color art work in black & white photography. About 2/3 of the photos are in black and white. Also, this edition is FALLING APART & I don't think it was used, or at least not used much by whoever owned it previously. The pages are coming apart from the back of the book.


great text, lousy pictures
I am currently enrolled in a Baroque and Rococo art history class at my university. I was told to get this book, and I excitedly did. After reading it for a bit, I noticed a few aspects that bothered me. The text is informative and explores the artworks wonderfully. Unfortunately, in the description, the authors describe the colors of the piece and how critical they are in the piece, which would be wonderful, except for the fact that half of the images in the text are in black and white! I would have to wait until class or find the images online in order to see what they were talking about.

So, if you are looking to buy this book, just be aware that the writing and historical knowledge are wonderful, but the images are dull and mainly colorless.

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Posted on Jul-04-2009

A History of the Art of War in the Sixteenth Century (Greenhill Military Paperbacks)


A History of the Art of War in the Sixteenth Century (Greenhill Military Paperbacks)


Let me begin by stating that I am a military history junkie. It isn't my profession, but I have a profession largely to support my military history habit. I bought this book for the simple reason that I knew very little about 16th century military history. That, and I needed a fix. After reading Sir Charles Oman's work, I cannot believe that I made it this far in life without it.To put it bluntly, anyone who claims to know something of modern military history, without a thorough grounding in 16th century warfare, is simply a pretender to knowledge.Sounds harsh? It is not, and please let me explain why. Everything that evolves into the modern military establishment emerges in a recognizable form during the 16th century. It is the military history equivalent of the first fish struggling out of the antediluvian muck onto land and taking that first breath of air.The 16th century bears witness to several critical military developments. The most obvious is the emergence of firepower on the battlefield. Gunpowder was several centuries old by that time, but it remained a rare and expensive siege weapon. In the 16th century, all of that changes. Cannon are lighter, limbered on smaller and more maneuverable carriages. Suddenly, armies have a powerful and portable siege train. In a matter of a few years, every castle in Europe becomes obsolete. Furthermore, cannon, for the first time, can be handled effectively on the battlefield. This spells ultimate doom for the large, unwieldy formations popular in earlier times, such as the Swiss pikemen's phalanx.The new power and portability of artillery forces a radical evolution in fortification. The tall stone walls of the medieval period are now indefensible. Instead, huge, broad and low fortifications, covered by over-lapping fields of fire, become essential. This new style, the "trace italienne", will dominate warfare until the wars of Frederick the Great. Indeed, one finds combat conditions in heavily fortified regions, such as the Low Countries, that resemble World War One: Interminable battles fought in muddy trenches, where snipers dominate No Man's Land and the grenade and mortar are the weapons of choice.Gunpowder also spurs the rearmament of the infantry. A judicious mix of arqubusiers and pikemen become the favourite mix of battlefield commanders. Interestingly, gunpowder helps to revive the cavalry arm. Long helpless against the Swiss pikeman, German landesknecht and English longbowmen, the mounted soldier regains his effectiveness with the advent of firepower. Artillery now breaks up formerly untouchable infantry formations, making them vulnerable to a cavalry charge. Cavalry also embraces the pistol, giving them firepower in addition to shock value. Gustavus Adolphus, in the next century, actually has to use considerable effort to wean his cavalry off of firepower and its excessive reliance on the caracole.These technological advances require a new level of prefessionalism on the part of soldiers. The professional warrior of the Middle Ages is replaced in the 16th century by the professional soldier of the modern period. In turn, the nation state finds itself required to maintain a standing, professional military. The increasing dissatisfaction of commanders with mercenary troops only accelerates this move to national, professional armies. This process becomes an essential catalyst to the birth of the modern nation state. As is his wont, Sir Charles tells the story of this historical process with a lively and engaging prose. His explanations of the political factors behind the wars of the period are succinct and immensely informative. With grace, wit and scholarly aplomb, Sir Charles will quickly convince any reader that he was quite mad to have imagined that he would proceed through life without a thorough understanding of the 16th century's military revolution.

Average Rating:
Author:
  • Charles Oman
  • Sir Charles Oman
ISBN: 1853673846
Number Of Pages: 784
Languages:
Unknown: English
Original Language: English
Published: English

Product Description:
3 drawings, 9 plates, 27 maps, 5 x 8 The best account of sixteenth-century warfare
By the author of A History of the Peninsular War
This is an unrivalled account of sixteenth-century warfare, in which Sir Charles Oman covers the Great Wars of 14941559; Henry VIIIs continental wars; the French Wars of Religion, 156298; the Dutch war of independence, 15681603; and the Turkish offensive against Christendom.

Contemporary maps illustrate many of the actions, and add to the value of this brilliant and lucid history of the art of war.

Sir Charles Omans other books include the two-volume History of the Art of War in the Middle Ages, the seven-volume A History of the Peninsular War and others (see the 1999 Annual Backlist catalog).


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Customer Reviews


Dated, Exhaustive, Exhausting
Oman wrote this as a follow-on to his History of the Art of War
in the Middle Ages (q.v.), and gave it his usual opinionated all.
Some of it shows its age, now, but nevertheless it's essential
if you're studying either the sixteenth century in general or
the rise of modern warfare.I get particular pleasure out of Oman's digs at his sources;
despite drawing from him frequently, he really, really doesn't
care for poor old Blaise de Monluc (which Oman and his
contemporaries insist on misspelling "Montluc.") Anyway,
buy the book if you're nostalgic for the old-style, "decisive"
school of military history, from the pre-Keegan era.


I'm a Landsknecht and I'm okay...
This is a magnificent work - both scholarly and easy to read - that focuses on a time that most military historians gloss over. It focuses on the technology and organization of "pike-and-shot" armies of the sixteenth century (1500-1600)with detailed sections on the Italian wars, England, the Wars of Religion in France, the Dutch revolt against Spain, and the struggle in the East against the Turkish Empire. The only failing of this book is the combination of great length (770 pages) and an index of people and place names only; if you look for something more nebulous like "fortifications" in the index you will be disappointed. Put it by your bed or on the medicine cabinet and read it in short bites - you'll keep coming back for more.


An excellent resource, but dated
Charles Oman's book is an excellent resource for learning about the history of the period from the military point of view, but, having been written over six decades ago, the book shows signs of its age by (naturally) failing to take into account what historians have learned about the subject since its writing. This leaves the book as valuable, yet not one you can entirely trust. Unfortunately, Oman also fails to add go into developments in Eastern Europe and the Ottoman Empire.


The definitive work on this subject
Sir Charles presents the matter in a pithy and convincing way. If you are interested in the great battles and battlefields of the 16th century, and the way armies evolved, you will find this work well worth your time. The rise and reign of the Swiss pikemen, who defied the charge of heavy cavalry with their perfect drill and unyielding will, is chronicled with engaging color and satisfying detail. So, in their turn, are the other principal armies and battles of the era. The generals, the underlying conceits of the armies' organizations, the errors and failures, all are recounted in a concise style that avoids dryness or verbosity. M.Dane

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Posted on Jul-04-2009

Naive Art (Art of Century)


Naive Art (Art of Century)

Product Description:
Nave art first became popular at the end of the 19th century. Until that time this form of expression, created by untrained artists and characterised by spontaneity and simplicity, enjoyed little recognition from professional artists and art critics. Influenced by primitive arts, nave painting is distinguished by the fluidity of its lines, vivacity, and joyful colours, as well as by its rather clean-cut, simple shapes.


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