
ISBN: 0300124120
Number Of Pages: 344
Original Language: English
Unknown: English
Published: English
This beautiful volume features a compendium of the Metropolitan Museum’s finest European paintings dating from 1800 to 1920. The focus is on French art of this period—of which the Museum possesses the most comprehensive collection outside of France—but extraordinary pictures by artists of other nationalities are also included. Thanks to a succession of generous and discerning donors—
from the H. O. Havemeyers to the Walter H. Annenbergs—this publication presents a history of painting in Paris from Prud’hon to Picasso, by way of Delacroix, Corot, Courbet, Manet, Monet, Degas, Cézanne, Seurat, and many others.
List Price: USD 65.00
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An Excellent Collection of Paintings
This book is published on occasion of the new galleries of nineteenth and early twentieth century art. The book contains 193 color reproductions of the greatest paintings in the collection including Rosa Bonheur's,"The Horse Fair", Auguste Renoir's,"Mme Charpentier and Her Children", Edgar Degas' "The Dancing Class", and Pablo Picasso's portrait of Gertrude Stein. The book starts with the history of the collection and then goes into an explanation of each work reproduced. The paintings represent almost every important art movement and artist of the nineteenth century from Neoclassicism to Post Impressionism. The centerpiece of the book focuses on the museum's great Impressionist paintings. In between the reader will see Neoclassical portraits by Jean Dominique Ingres, Romantic paintings by Eugene Delacroix, Realist works by Camille Corot and Gustave Courbet,and early twentieth century masterpieces by Pierre Bonnard, Henri Matisse, Picasso, and Amadeo Modigliani. The last section gives provenance of all the works. The book will be a great addition to any art lover who wants to learn about nineteenth and early twentieth century art.
Tagged Under : (Metropolitan, 1800-1920, European, Masterpieces, Museum, Painting, Publications:
Tagged Under : (World, Ancient, Architecture, Crete, Greece, History, Library, Mesopotamia, Painting, Pottery, Sculpture
Posted on Jul-17-2009
Painting in Eighteenth-Century Venice (The Yale University Press Pelican History of Art)
From Canaletto to Tiepolo, 18th-century Venetian painters created brilliant works of art that are now considered to be the last flowering of the long Venetian tradition of painting. This book provides an introduction to 18th-century Venetian painting, discussing the various types of painting - portraiture, genre, landscape, history paintings, and religious works - as well as the society, patronage, and intellectual climate of Venice at this time.
List Price: USD 30.00
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Tagged Under : (Art, (The, Eighteenth-Century, History, Painting, Pelican, University, Venice:
Posted on Jul-16-2009
Venetian Painting: A Concise History (World of Art)

Number Of Pages: 216
Original Language: English
Unknown: English
Published: English
List Price: USD 14.95
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A very good introduction, but almost colorless
This book covers, in a clear, vivid and precise text, the main currents of Venetian painting, from the Trecento (Paolo and Lorenzo Veneziano) to the eighteenth century (Tiepolo, Canaletto, Guardi). It follows a chronological pattern, except in chapter four, which is an interesting study of Venetian portrait from the XVIth to the XVIIIth century.
The main flaw is, of course, the quality of the illustrations, albeit numerous, but mostly in black and white (as is the case in all the volumes of the World of Art collection), which is very frustrating when you read a book on Venetian painting.

A dutiful review of Venetian painting
While it hits all the high points of Venetian painting, it's a rather dry, uninspiring discussion. And more's the pity it has so few color illustrations, since the genius of the Venetian painters was their brilliant use of color.
Tagged Under : (Art, (World, Concise, History, Painting, Venetian
Posted on Jul-07-2009
A Year in Art: A Painting a Day
I love this idea - every day of the year, the reader/appreciator of art, may learn about a particular work of art through admiration and study. In addition, the editor added related quotes in the adjoining page.
I am a writer who loves art, so this is very appealing to me as a leaping off point for my own creativity.
I am also a mother and could see helping my children learn more about art-just through sampling one of these works of art every day. It isn't like I would be giving a disseration, but we could certainly gain awareness of the artists and study up on those who are especially appealing.
My only criticism... and it is given lightly, because it is so subjective... is that I wish there was a wider variety of artists represented. The pieces they chose are fantastic - and many artists have more than one painting... which is valuable in another way... to see an artist earlier in the year and then come upon the same artist, later. That has merit, indeed... and I wish, still, there was more variety.
Doesn't mean I won't get a lot of good use out of this book - I imagine I will end up taking the art out of the binding, though, because I can see it being handled a lot throughout the year.

Number Of Pages: 736
Original Language: English
Unknown: English
Published: English
365 Days of Art
A painting for every day of the year.
Lovers of art can wake up to a new masterpiece every day. The large, user-friendly format features double-page spreads: on one side is a splendid full-color reproduction of a work of art, while on the other side is anecdotal information about the painting or quotations from the artist. In addition there is plenty of space for writing important personal dates, notations, or reflections. From cave renderings to contemporary masterpieces, Egyptian art to Picasso, Russian icons to Chagall, this global and historical collection of images makes the perfect gift for fans of any kind of art, on any occasion, for any day of the year.
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Worth It
I recently ordered this book, and i have looked through at the library. These paintings are all classics and most of them should be known to art fanatics and most everybody who has any degree of passion for art.
the only thing that I dont like about the book, is that the entire painting is pretty small, and only a portion of the painting is large enought to really examine.
overall, i think whatever you are about to pay for this book, it is definitely worth it.
peace

Such a Pleasure
It's just great every morning to turn the page and see a new painting. Some of them are old friends, but there are many that are unfamiliar. It's like finding a hidden treasure.

Every Day Is A Work Of Art
I picked up this quirky book quite by accident and was mesmerized by the concept. As stated in the item description, each day of the year is assigned a painting with an accompanying page for notes. Too unwieldy to be a practical calendar and too restrictive a format to lend itself to the task of journaling, this book is nevertheless intriguing. The design of this oddly-shaped book necessitates the sometimes butcherous cropping of many of the painting - but I suppose that is not exactly the point. If you want the traditional art book, get an art book. "A Year In Art" isn't intended to be a text book of art history - instead, I believe that it is intended to inspire. As trite as it may sound, there is something almost magical about turning to a new page each day and finding a glorious painting to motivate us to look for that which will transcend the commonplace in our lives on each particular day. Sort of like "every day a painting to stir us to make each day our own masterpiece."
Four and a half stars would be a fairer rating. This book would make a nice gift for those who have an appreciation for the lyrical and the creative.
Tagged Under : Painting
Posted on Jul-01-2009
The Art of Impressionism: Painting Technique and the Making of Modernity

Number Of Pages: 256
Original Language: English
Unknown: English
Published: English
Drawing on scientific studies of pigments and materials, artists’ treatises, colormens’ archives, and contemporary and modern accounts, Anthea Callen demonstrates how raw materials and paintings are profoundly interdependent. She analyzes the material constituents of oil painting and the complex processes of “making” entailed in all aspects of artistic production, discussing in particular oil painting methods for landscapists and the impact of plein air light on figure painting, studio practice, and display. Insisting that the meanings of paintings are constituted by and within the cultural matrices that produced them, Callen argues that the real “modernity” of the Impressionist enterprise lies in the painters’ material practices. Bold brushwork, unpolished, sketchy surfaces, and bright, “primitive” colors were combined with their subject matter—the effects of light, the individual sensation made visible—to establish the modern as visual.
List Price: USD 80.00
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Wonderful Research and Insight!
Anthea Callen trained as a painter. She writes with a painter's insight. She also has a brilliant mind. The book is thoroughly researched. It is written with more emphasis on the materials and physical techniques of the Impressionists than on sociological or philosophical analysis. When she does go into those areas she does so with restraint and great intelligence. I give this book the highest recommendation particularly as a book for painters or for those interested in the intricacies of painting.
Tagged Under : Impressionism, Making, Modernity, Painting, Technique
Posted on Jun-29-2009
Dutch Masters: Street Art and Urban Painting
Tagged Under : Masters, Painting, Street

Number Of Pages: 312
Release Date: 1999-07-01
Original Language: French
Unknown: English
Published: English
An extremely rich Belgian collection of Art Nouveau articles is behind the adventure leading to the conceiving of this book. Michel Draguet, in eight reference-filled chapters, guides the reader through the period between the end of the last century and the beginning of the present one, the herald of deep changes inspiring an art which, stemming from the symbolist and decadent instances, unfolds like a page of literature.
The articles of applied arts figuring in the book have the flavor of the poetry of Baudelaire and Mallarmé, recall the microcosm of Proustian interiors and take us back to an atmosphere steeped in the contributions of several arts, from dance to painting and sculpture, wherein the search for new techniques clearly does not play merely a minor role. Between literature and industry, a portent of the new century striding in, Treasures of Art Nouveau gives us back the savor of a world fully aware of the winds of change.
List Price: USD 90.00
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A Truely Fine Book on Art Nouveau
A must for all who love Art Nouveau Decorative Arts like I do!! The collection is absolutely top-notch, and the art glass will blow you away with the clear, rich photography used to capture the best in Art Nouveau. All in all..... five stars!!!!!
Tagged Under : Collection, Crowet, Decorative, Gillion, Nouveau, Painting, Sculpture, Treasures
Posted on Jun-25-2009
The History of Gardens in Painting
Number Of Pages: 240
Original Language: English
Unknown: English
Published: English
The creation of gardens was among the first achievements of early civilizations, and garden design was already highly developed in antiquity. Pictures of gardens are a reflection of the social, historical, and aesthetic context in which gardens were conceived. The focus of this captivating book is not the gardens themselves or the different concepts of the garden, but rather the representation of gardens in paintings. The author examines why artists paint gardens by covering the varied and lively 2,000-year history of the garden picture using 180 garden masterpieces as examples.
The text begins with a look at ancient Rome, when paintings of gardens, as found in villas in Pompeii, were already valued as works of art. The wide-ranging coverage also includes pictures of charming medieval gardens in books of hours; Botticelli's masterwork La Primavera, set in a grove of orange trees; views of well-known historic gardens, such as those at Versailles; painter's gardens, as for example, Monet's Giverny; and modern gardens depicted by Frida Kahlo, Andy Warhol, and David Hockney, among others. For collectors of art history books and garden books, this lovely volume should appeal to a broad audience.
180 full-color illustrations
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