Posted on Jul-29-2009

Painting in the North: Alaskan Art in the Anchorage Museum of History and Art


Author: Kesler E. Woodward
ISBN: 029597320X
Number Of Pages: 159
Languages:
Unknown: English
Original Language: English
Published: English

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Posted on Jul-28-2009

Masterpieces of European Painting, 1800-1920, in The Metropolitan Museum of Art (Metropolitan Museum of Art Publications)


Masterpieces of European Painting, 1800-1920, in The Metropolitan Museum of Art (Metropolitan Museum of Art Publications)

Product Description:

This beautiful volume features a compendium of the Metropolitan Museum’s finest European paintings dating from 1800 to 1920. The focus is on French art of this period—of which the Museum possesses the most comprehensive collection outside of France—but extraordinary pictures by artists of other nationalities are also included. Thanks to a succession of generous and discerning donors—

from the H. O. Havemeyers to the Walter H. Annenbergs—this publication presents a history of painting in Paris from Prud’hon to Picasso, by way of Delacroix, Corot, Courbet, Manet, Monet, Degas, Cézanne, Seurat, and many others.



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Posted on Jul-27-2009

Art of the Ancient World: Painting, Pottery, Sculpture, Architecture from Egypt Mesopotamia, Crete, Greece, and Rome (Library of Art History)


Author: H. W. (ed.). JANSON
Edition: First Edition
Number Of Pages: 496

Product Description:
A massive history of ancient art, with 42 full-page color plates and 700 monochrome illustrations.

Format: Illustrated
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Posted on Jul-17-2009

Painting in Eighteenth-Century Venice (The Yale University Press Pelican History of Art)



Product Description:
From Canaletto to Tiepolo, 18th-century Venetian painters created brilliant works of art that are now considered to be the last flowering of the long Venetian tradition of painting. This book provides an introduction to 18th-century Venetian painting, discussing the various types of painting - portraiture, genre, landscape, history paintings, and religious works - as well as the society, patronage, and intellectual climate of Venice at this time.

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Posted on Jul-16-2009

Venetian Painting: A Concise History (World of Art)


Venetian Painting: A Concise History (World of Art)


Average Rating:
Author: John Steer
Edition: First Edition
ISBN: 0500201013
Number Of Pages: 216
Languages:
Unknown: English
Original Language: English
Published: English

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Customer Reviews


A very good introduction, but almost colorless
This book covers, in a clear, vivid and precise text, the main currents of Venetian painting, from the Trecento (Paolo and Lorenzo Veneziano) to the eighteenth century (Tiepolo, Canaletto, Guardi). It follows a chronological pattern, except in chapter four, which is an interesting study of Venetian portrait from the XVIth to the XVIIIth century.

The main flaw is, of course, the quality of the illustrations, albeit numerous, but mostly in black and white (as is the case in all the volumes of the World of Art collection), which is very frustrating when you read a book on Venetian painting.


A dutiful review of Venetian painting
While it hits all the high points of Venetian painting, it's a rather dry, uninspiring discussion. And more's the pity it has so few color illustrations, since the genius of the Venetian painters was their brilliant use of color.

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Posted on Jul-07-2009

A Year in Art: A Painting a Day


I love this idea - every day of the year, the reader/appreciator of art, may learn about a particular work of art through admiration and study. In addition, the editor added related quotes in the adjoining page.

I am a writer who loves art, so this is very appealing to me as a leaping off point for my own creativity.

I am also a mother and could see helping my children learn more about art-just through sampling one of these works of art every day. It isn't like I would be giving a disseration, but we could certainly gain awareness of the artists and study up on those who are especially appealing.

My only criticism... and it is given lightly, because it is so subjective... is that I wish there was a wider variety of artists represented. The pieces they chose are fantastic - and many artists have more than one painting... which is valuable in another way... to see an artist earlier in the year and then come upon the same artist, later. That has merit, indeed... and I wish, still, there was more variety.

Doesn't mean I won't get a lot of good use out of this book - I imagine I will end up taking the art out of the binding, though, because I can see it being handled a lot throughout the year.

A Year in Art: A Painting a Day



Average Rating:
ISBN: 379133624X
Number Of Pages: 736
Languages:
Unknown: English
Original Language: English
Published: English

Product Description:
365 Days of Art

A painting for every day of the year.

Lovers of art can wake up to a new masterpiece every day. The large, user-friendly format features double-page spreads: on one side is a splendid full-color reproduction of a work of art, while on the other side is anecdotal information about the painting or quotations from the artist. In addition there is plenty of space for writing important personal dates, notations, or reflections. From cave renderings to contemporary masterpieces, Egyptian art to Picasso, Russian icons to Chagall, this global and historical collection of images makes the perfect gift for fans of any kind of art, on any occasion, for any day of the year.


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Customer Reviews


lovely photos
So much fun to turn to each day's photo - good quality reproduction and interesting choices


Worth It
I recently ordered this book, and i have looked through at the library. These paintings are all classics and most of them should be known to art fanatics and most everybody who has any degree of passion for art.
the only thing that I dont like about the book, is that the entire painting is pretty small, and only a portion of the painting is large enought to really examine.

overall, i think whatever you are about to pay for this book, it is definitely worth it.

peace


Such a Pleasure
It's just great every morning to turn the page and see a new painting. Some of them are old friends, but there are many that are unfamiliar. It's like finding a hidden treasure.


Every Day Is A Work Of Art
I picked up this quirky book quite by accident and was mesmerized by the concept. As stated in the item description, each day of the year is assigned a painting with an accompanying page for notes. Too unwieldy to be a practical calendar and too restrictive a format to lend itself to the task of journaling, this book is nevertheless intriguing. The design of this oddly-shaped book necessitates the sometimes butcherous cropping of many of the painting - but I suppose that is not exactly the point. If you want the traditional art book, get an art book. "A Year In Art" isn't intended to be a text book of art history - instead, I believe that it is intended to inspire. As trite as it may sound, there is something almost magical about turning to a new page each day and finding a glorious painting to motivate us to look for that which will transcend the commonplace in our lives on each particular day. Sort of like "every day a painting to stir us to make each day our own masterpiece."

Four and a half stars would be a fairer rating. This book would make a nice gift for those who have an appreciation for the lyrical and the creative.

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Posted on Jul-01-2009

The Art of Impressionism: Painting Technique and the Making of Modernity


This is a very good book (for what it is), but it is quite a difficult read, with much content that has little practical value for most of us. It is a scholarly (i.e., academic) history of opinions and processes that informed Impressionist painting. It is undeniably impressive in its scholarship, its substantive weight, and its physical dimensions--this is a big book having large oversize pages full of single-spaced small print. Its research and detail are, I think, remarkable. Indeed it presents detail upon detail upon technical detail. It is both exhaustive and exhausting. It thoroughly covers many topics that I simply have no need or desire to know about. This is a book for art-history professors.

I had wanted to see this book for two reasons: I wanted to learn to paint like the Impressionists, and I hoped to see their paintings in superior reproductions. In each case, I was disappointed.

The quality of the reproductions is very good (more than adequate to illustrate the text's points), but NOT outstanding. And this definitely is not a how-to-paint lesson manual. If, from this book, you ever learn to paint like the Masters, it will only be indirectly, from inference rather than from clear instruction. And you will need to dig through some fairly thick and sometimes diffuse language to find information you might consider useful. In fact, many of the opinions and processes discussed in the book are contradictory--and (to her credit) the author does not offer her opinion about which ways and opinions were best.

Believe it or not, the foregoing is not meant to disparage the book per se, because it is excellent, FOR WHAT IT IS (and on those particular terms it deserves 4 stars). I have only meant to tell prospective buyers just what it is. This book was not very helpful to me, and I think it would not be very useful to most readers, including most painters and art aficionados.

I'm glad the book exists--it is a genuine scholarly achievement--and if someone were to give it to me as a gift, I'd gratefully recieve it (and I'd probably look at it once in a while). But I would not pay much to buy it. (Borrow it from a public library before deciding to buy.)



The Art of Impressionism: Painting Technique and the Making of Modernity

Product Description:
This magnificent book is the first full-scale exploration of Impressionist technique. Focusing on the easel-painted work of Monet, Pissarro, Renoir, Cézanne, Cassatt, Morisot, Caillebotte, Sisley, and Degas in the period before 1900, it places their methods and materials in a historical perspective and evaluates their origins, novelty, and meanings within the visual formation of urban modernity.

Drawing on scientific studies of pigments and materials, artists’ treatises, colormens’ archives, and contemporary and modern accounts, Anthea Callen demonstrates how raw materials and paintings are profoundly interdependent. She analyzes the material constituents of oil painting and the complex processes of “making” entailed in all aspects of artistic production, discussing in particular oil painting methods for landscapists and the impact of plein air light on figure painting, studio practice, and display. Insisting that the meanings of paintings are constituted by and within the cultural matrices that produced them, Callen argues that the real “modernity” of the Impressionist enterprise lies in the painters’ material practices. Bold brushwork, unpolished, sketchy surfaces, and bright, “primitive” colors were combined with their subject matter—the effects of light, the individual sensation made visible—to establish the modern as visual.


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Posted on Jun-29-2009

Dutch Masters: Street Art and Urban Painting


Dutch Masters: Street Art and Urban Painting


ISBN: 9090208712
Number Of Pages: 95
Languages:
Unknown: English
Original Language: English

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Posted on Jun-28-2009

Treasures of Art Nouveau: Painting, Sculpture, Decorative Arts in the Gillion Crowet Collection


Treasures of Art Nouveau: Painting, Sculpture, Decorative Arts in the Gillion Crowet Collection

Product Description:
An extremely rich Belgian collection of Art Nouveau articles is behind the adventure leading to the conceiving of this book. Michel Draguet, in eight reference-filled chapters, guides the reader through the period between the end of the last century and the beginning of the present one, the herald of deep changes inspiring an art which, stemming from the symbolist and decadent instances, unfolds like a page of literature.

The articles of applied arts figuring in the book have the flavor of the poetry of Baudelaire and Mallarmé, recall the microcosm of Proustian interiors and take us back to an atmosphere steeped in the contributions of several arts, from dance to painting and sculpture, wherein the search for new techniques clearly does not play merely a minor role. Between literature and industry, a portent of the new century striding in, Treasures of Art Nouveau gives us back the savor of a world fully aware of the winds of change.


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Posted on Jun-25-2009

The History of Gardens in Painting


The History of Gardens in Painting


Author: Niles Buttner
ISBN: 0789209934
Number Of Pages: 240
Languages:
Unknown: English
Original Language: English
Published: English

Product Description:
The creation of gardens was among the first achievements of early civilizations, and garden design was already highly developed in antiquity. Pictures of gardens are a reflection of the social, historical, and aesthetic context in which gardens were conceived. The focus of this captivating book is not the gardens themselves or the different concepts of the garden, but rather the representation of gardens in paintings. The author examines why artists paint gardens by covering the varied and lively 2,000-year history of the garden picture using 180 garden masterpieces as examples.

The text begins with a look at ancient Rome, when paintings of gardens, as found in villas in Pompeii, were already valued as works of art. The wide-ranging coverage also includes pictures of charming medieval gardens in books of hours; Botticelli's masterwork La Primavera, set in a grove of orange trees; views of well-known historic gardens, such as those at Versailles; painter's gardens, as for example, Monet's Giverny; and modern gardens depicted by Frida Kahlo, Andy Warhol, and David Hockney, among others. For collectors of art history books and garden books, this lovely volume should appeal to a broad audience.

180 full-color illustrations


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