Posted on Jul-27-2009

Global Interests: Renaissance Art Between East and West (Reaktion Books - Picturing History)


Global Interests: Renaissance Art Between East and West (Reaktion Books - Picturing History)


Author:
  • Lisa Jardine
  • Jerry Brotton
ISBN: 1861891660
Number Of Pages: 224
Languages:
Unknown: English
Original Language: English
Published: English

Product Description:
Looking outward for confirmation of who they were and what defined them as "civilized," Europeans encountered the returning gaze of what we now call the East, in particular the attention of the powerful Ottoman Empire. Global Interests explores the historical interactions that arose from these encounters as it considers three less-examined art objects—portrait medals, tapestries, and equestrian art—from a fresh and stimulating perspective. As portable artifacts, these objects are particularly potent tools for exploring the cultural currents flowing between the Orient and Occident.

Global Interests offers a timely reconsideration of the development of European imperialism, focusing on the Habsburg Empire of Charles V. Lisa Jardine and Jerry Brotton analyze the impact this history continues to have on contemporary perceptions of European culture and ethnic identity. They also investigate the ways in which European culture came to define itself culturally and aesthetically during the century-long span of 1450 to 1550. Ultimately, their study offers a radical and wide-ranging reassessment of Renaissance art.


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Posted on Jul-24-2009

Giotto: The Founder of Renaissance Art–His Life in Paintings


Giotto: The Founder of Renaissance Art--His Life in Paintings

Product Description:
The artist who influence the whole of the Italian Renaissance, of whom Vasari wrote "Giotto restored the link between art and nature." The DK ArtBook series presents both the life and works of each artist within the cultural, social, and political context of their time. To make the books easy to consult, they are divided into three areas -- the life and works of the artist, historical and cultural background, and analysis of major works -- which are identifiable by side bands. Each spread focuses on a specific theme, with an introductory text and several annotated illustrations. Few art history texts contain such abundance of full-color illustrations. The index section is also illustrated and gives background information on key figures and the location of the artist's works.

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Posted on Jul-23-2009

Defining the Renaissance Virtuosa: Women Artists and the Language of Art History and Criticism


Defining the Renaissance Virtuosa: Women Artists and the Language of Art History and Criticism


Jacobs' work is groundbreaking. Her ideas are coherent and innovative. This is a must-read for anyone interested in art and language in the Renaissance. Her look at the language used to describe these women artists is fascinating and opens new doors on the study of Renaissance art and culture. READ IT!

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Author: Fredrika H. Jacobs
Edition: 1
ISBN: 0521664969
Number Of Pages: 244
Languages:
Unknown: English
Original Language: English
Published: English

Product Description:
Defining the Renaissance "Virtuosa" considers the language of art in relationship to the issues of gender difference through an examination of art criticism written between 1550 and 1800 on approximately forty women artists who were active in Renaissance Italy. Fredrika Jacobs demonstrates how these theoretical writings defined women artists, by linking artistic creation and biological procreation. Jacobs' study shows how deeply the biases of these early critics have inflected both subsequent reception of these Renaissance virtuose, as well as modern scholarship.

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Customer Reviews


Defining the Renaissance Virtuosa
A brilliant analysis of language, women artists and their work in Renaissance Italy. A must-read for any student of Renaissance studies or art history. The author guides the reader through this stimulating topic with a well-developed and clear thesis which she expands upon brilliantly.

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Posted on Jul-21-2009

Tapestry in the Renaissance: Art and Magnificence


Tapestry in the Renaissance: Art and Magnificence


I had no idea how important a medium tapestry was prior to stumbling on the Met exhibition during a recent visit to NYC and then reading this book. I was amazed to learn the amount of money spent to produce (and purchase!) them, and how important the industry was to the economy of the time . Anyone who thinks of tapestries as beige, boring and historically insignificant is in for a surprise.As for this book itself, the photography is stunning and lavish. Each time you look at one of these magnificent works you see something new--it's hard to believe that these are woven objects, the detail and color is so vivid...no wonder the NY Times listed it as a holiday gift buy. (I think they rated the accompanying exhibition one of the year's best too)

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Author:
  • Mr. Thomas P. Campbell
  • Tom Campbell
ISBN: 0300093705
Number Of Pages: 600
Languages:
Unknown: English
Original Language: English
Published: English

Product Description:
Tapestries-the art form of kings-were a principal element in the ostentatious magnificence used by powerful Renaissance rulers to broadcast their wealth and might. During the period between 1460 and 1560, courts and churches lavished vast sums on costly weavings in silk and gold thread from designs by leading artists. In this beautifully illustrated book, contributors analyze some of these gorgeous tapestries, examine the stylistic and technical development of tapestry production in the Low Countries, France, and Italy during the Renaissance, and discuss the contribution that the medium made to art, liturgy, and propaganda of the day. The first major survey of tapestry production between 1460 and 1560, the book presents forty-five surviving tapestries along with some twenty preparatory drawings and cartoon fragments. Featured are examples designed by Italian masters Raphael, Giulio Romano, and Perino del Vaga. In addition, works by Netherlandish designers such as Bernaert van Orley and his followers are included, demonstrating how elements of the northern design tradition were fused with Italianate innovations, resulting in an extraordinarily rich aesthetic, ideally suited to the medium.
Amazon.com Review:
Often slighted by art historians, tapestries were actually the most widely commissioned figurative art form in Europe in the 1500s. In Tapestry in the Renaissance: Art and Magnificence, Thomas P. Campbell and other scholarly contributors survey the elaborate woven hangings produced primarily by Flemish workshops for the palaces and cathedrals of Italy and Northern Europe. The authors discuss the designers' careers, patrons' motives, symbolic meanings of the imagery, and stylistic features unique to the labor-intensive medium. Initially, the need to lessen skilled weavers' workloads led designers to arrange elaborately costumed figures in manageable rows. Raphael's cartoons (full-size drawings) for the monumental "Acts of the Apostles" tapestries, commissioned by Pope Leo X, moved the art form into a new era. Flemish designers incorporated Raphael's spatially persuasive treatment of the figure into sophisticated narratives full of anecdotal detail. The 250 color photographs, specially commissioned for this catalog for an exhibit at the Metropolitan Museum in spring 2002, vividly illuminate the technical brilliance of these works. --Cathy Curtis

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Customer Reviews


Tapestry in the Renaissance: Art and Magnificence
This book is 'sumptuous'. Beautifully bound and a really first class book with lots of beautiful illustrations.


Excellent Introduction to the Medium
This is an ideal "starter book" for anyone interested in tapestries. Although not as complete as La Tapisserie by Verlet & others, it'll give the reader a reasonable understanding of the art as a whole.


Incredible Work
Having marveled at the tapestry I purchased from Simply Tapestries, I went to the Museum of Modern Art to see their recent exhibit of Flemish tapestries. This book can almost act as a companion of this exhibit. I am amazed at the quality and quantity of the full color artwork. This book is a must for anyone who has purchased or intends to purchase a tapestry. The authors are obvious experts in their field. A wonderful art book of the highest quality. I learned so much about the history of these wonderful pieces of art.


Best collection available
This collection depicting the tapestry exhibit recently held at the NY Met Museum is an indisputable gem. Entries are consise and thorough. Photographs are well done, some a bit too grey, but overall usable to all textile artists.
Well worth the price and a steal at Amazon's price.

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Posted on Jul-17-2009

The Mirror of the Gods: Classical Mythology in Renaissance Art


The Mirror of the Gods: Classical Mythology in Renaissance Art


Author: Malcolm Bull
Edition: First U.K. Edition
ISBN: 071399200X
Number Of Pages: 480
Languages:
Unknown: English
Original Language: English

Product Description:
Perhaps the single most revolutionary aspect of the Renaissance was the re-emergence of the gods and goddesses of antiquity. In the midst of Christian Europe, artists started to decorate luxury goods with scandalous stories from classical mythology, and rulers began to identify with the deities of ancient religion. The resulting fusion of erotic fantasy and political power changed the course of western art and produced many of its most magical and subversive works.The first book ever to survey this extraordinary phenomenon in its entirety, THE MIRROR OF THE GODS takes the story from the Renaissance to the Baroque. Each chapter focuses on a particular god (Diana, Apollo, Hercules, Venus, Bacchus, Jupiter) and recounts the tales about that deity, not as they appear in classical literature but as they were re-created by artists like Botticelli, Titian, Poussin and Rembrandt. Readers will never see art in quite the same way again.

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Posted on Jul-12-2009

The Moment of Self-Portraiture in German Renaissance Art


The Moment of Self-Portraiture in German Renaissance Art


Joseph Leo Koerner must rank as one of the most able and compelling figures writing in the field of Art History today. As with his previous work on Caspar David Friedrich this work is a masterpiece of interpretative criticism and research. Koerner proceeds always from close readings of individual works, but then sets them at the centre of a nexus of complex philosophical and socio historical questions. He invokes not only the writings of Durer's contemporaries, but such figures as Foucault and Adorno in drawing out the profoundest implications from the works cited. If proof were neeeded that art history can be urgent and disturbing rather than pedantic and arcane, then this book should offer it. As one reaches the end of this book one understands that the complex issues of identity which Durer and his circle grappled with are as vital and disturbing at the turn of the millenium as the were when Durer worked on the brink of the half millenium.

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Author: Joseph Leo Koerner
ISBN: 0226449998
Number Of Pages: 564
Languages:
Unknown: English
Original Language: English
Published: English

Product Description:
In this groundbreaking and elegantly written study, Joseph Koerner establishes the character of Renaissance art in Germany. Opening up new modes of inquiry for historians of art and early modern Europe, Koerner examines how artists such as Albrecht Durer and Hans Baldung Grien reflected in their masterworks the changing status of the self in sixteenth-century Germany.

"[A] dazzling book. . . . He has turned out one of the most powerful, as well as one of the most ambitious, art-historical works of the last decade." --Anthony Grafton, New Republic

"Rich and splendid. . . . Joseph Koerner's book is a dazzling display of scholarship, enfolding Durer's artistic achievement within the broader issues of self and salvation, and like [Durer's] great Self- Portrait it holds up a mirror to the modern fable of identity." -- Bruce Boucher, The Times

"Remarkable and densely argued." --Marcia Pointon, British Journal of Aesthetics

"Herculean and brilliant. . . . Will echo in fields beyond the Sixteenth-Century and Art History." --Larry Silver, Sixteenth Century Journal

"May be the most ambitious of recent American reflections on the mysteries of German art. His elegantly written book deals with the fateful period in the history of German art when it reached its highest point. . . . Offers deeper and more disturbing insights into German Renaissance art than most earlier scholarship." --Willibald Sauerlander, New York Review of Books


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Customer Reviews


A Moment of Awe for a Moment of Self-Portraiture
As neither an art historian nor an artist, I don't know how I was lucky enough to find this book. It is an intellecutally and aesthetically enriching experience from start to finish. The author presents Durer in a full historical context, dramatically explaining his importance in time and place. Many illustrations are included, the style is very readable, and the fascination of watching Durer emerge from the pages of the book and the mists of the Middle Ages in Germany, is just terrific! You will learn more than you perhaps thought possible about Durer and you may also wonder, as I did, why I had not appreciated his art more.

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Posted on Jul-09-2009

Art, Marriage, and Family in the Florentine Renaissance Palace


Art, Marriage, and Family in the Florentine Renaissance Palace


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Author: Ms. Jacqueline Marie Musacchio Ph.D.
ISBN: 0300095635
Number Of Pages: 346
Languages:
Unknown: English
Original Language: English
Published: English

Product Description:

Although we live in an era when vast sums of money are lavished on wedding festivities, we are not unique: in Renaissance Italy, middle- and upper-class families spent enormous amounts on marriages that were intended to establish or consolidate the status and lineage of one or both of the respective families.

 

This lavishly illustrated book explores the social and economic background to marriage in Renaissance Florence and discusses the objects—paintings, sculptures, furniture, jewelry, clothing, and household items—associated with marriage and ongoing family life. By analyzing urban palaces and their furnishings, Jacqueline Marie Musacchio shows how families interacted with art on a daily basis. This began at marriage, when the bride brought a dowry and the groom provided the home and its furnishings. It continued with the accumulation of objects during the marriage and the birth of children. And it ended with the redistribution of these same objects at death. Through the examination of art, documents, literature, and more, this lively book traces the life cycle of the Florentine Renaissance family through the art and objects that surrounded them in their home.

 



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Customer Reviews


This book is a must have!
When art historians talk about context in works of art they often give mere lip service and then go about discussing objects in the same old way. This book renders a fresh look at some familiar objects, placing context front and center in the discussion. Indeed, for many reasons this is a book that is long overdue, both for its subject matter and its content. Although scrupulously researched, this work has none of the stuffiness associated with scholarly books. It provides an immediately accessible and vibrantly written text alongside gloriously illustrated images that fully illuminate the expressed ideas. Some of the objects are familiar to anyone knowledgeable in Italian Renaissance art, others are much more obscure, and for that reason, intriguing. Combining these works in artful context is one of the glories of this book. For anyone interested in daily life in the Italian Renaissance, this book is a must have.

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Posted on Jul-08-2009

The Art of the Renaissance (World of Art)


The Art of the Renaissance (World of Art)

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Posted on Jul-07-2009

History of Art the Renaissance


Author: Elie Charle Flamand

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Posted on Jul-07-2009

History of Art: Renaissance Art

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